Tag Archive for 'Books'

WhenIWriteIWriteWithThis

I have ghosted celebrity memoirs. I have worked on biographies. I am currently two thirds of the way through writing a novel, plotting another and working on a film idea.

I used to do all of the above in Word. It used to to make me very unhappy.

I used to have folders all over my laptop with notes, research, transcripts, chapters, outlines, drafts, manuscripts. It was all very confusing. When the draft was finished I used to have to cut’n'paste each chapter into yet another Word document. Making sure there was a page break before each chapter was a nightmare. Keeping the formatting consistent made me want to kill. And if I wanted to change or move anything… I used to weep…a lot.

Not anymore. Oh no. Now I use Scivener. Now I have all my notes, research, transcripts, chapters, outlines and drafts in one place and when all the chapters are done I can compile them into a manuscript and output it to Word, page breaks and formatting included, at the touch of a button.

Am I happier? Of course. Would I recommend other writers try Scrivener for themselves? Absolutely. Am I more productive? Not a bit, but I at least get to procrastinate and be unproductive free from the fear of page breaks and formatting and not being able to find my notes the one time I do decide to write something. Which in its own way is worth every cent of the $39.95 it costs.

Don’t believe me? Why would you. Maybe the video below will do a better job of convincing you.

WishYouWereThere?

There is a better life. And it looks a little something like this. A thought to conjure with on a cold, snowy/icy/slushy night in London in January. For more of the same, see my new favourite oversized coffee table book Poolside With Slim Aarons. Genius.

HowToReallySellBooksOnTheInternet


New meaning to the phrase ‘the film of the book’. And the best bit, it really does make you want to buy it. Or maybe it’s just me.

MyLifeInMagazines

I love magazines. I should do. I’ve spent most of my adult life writing for them. Increasingly though, magazines are becoming hard to like, let alone love. Grown bloated on d-list celebrities, fad diets, watches, cars, tits, cellulite, empty sound bites and hot air, they’re just another noisy distraction designed to entertain the shortest of attention spans. Of course, you could say that for something more substantial there are always books, and as someone who writes those too I certainly wouldn’t argue with their value. But it’s not the same. Books are about words sparking the imagination; a writer and a reader, alone in a space sharing a thought. Magazines are about words and pictures and how the two interact. They’re about a designer’s interpretation of an attitude, a photographer’s understanding of a subject, a writer’s assessment of the situation and an art director’s idea of how all three can best come alive on the page. Or at least that’s the way I think of them – exciting explosions of ideas, unexpected stories that grab the attention and suck you in.

The truth is that mainstream consumer magazines aren’t like that anymore. And it’s a recent change. In the last 10 years word counts have plummeted, the pictures are bigger (although, sadly, not better) and the imagination, the vocabulary and the subject choice have become so constrained that it’s hard to tell one men’s magazine from the next and all the celeb gossip weeklies from each other. I could blame Loaded or Heat or everyone else who’s helped cheapen the format, but the real point is not to blame others but to do something about it – which is why I’m currently trying to get a cool, quality, pop culture quarterly off the ground. More of that in another post.

Away from the mainstream though, the magazine is very much alive and well and lovable. Independent publishers are doing all the things which used to make me buy magazines by the armful. They’re spilling imagination all over the page, exciting with indescribably sexy images and delivering rock’n'roll in print, and making all of it so exciting you could just reach in and touch it.

I know this because I recently bought two amazing books. We Love Magazines is a celebration of the magazine as an art form, focusing on 10 stunning publications from around the world, as well as reliving the greatest moments in magazine history and providing an extensive directory of the coolest magazines in the world – or most of them, there were a couple missing. My other purchase was the equally incredible follow-up, We Make Magazines : Inside the Independents, a celebration of the people and the passion behind the most influential independent magaiznes in production – as well as a tribute to those great titles long since departed.

Both books are beautifully executed with the same imagination and attitude as the titles they’re examining, so while bloody expensive, they’re worth every penny. It’s enough to make you want to put pen to paper and start dreaming up your very own super cool title… oh, wait a minute…

AncientWisdom

terracotta-army-general-xian-china

I’ve been reading Sun Tzu’s The Art of War – the legendary War For Dummies guide, written in 500 B.C., now worshipped by aspiring business types of the kind who go on The Apprentice and say things like, ‘No guts, no glory’ and ‘I’m a natural closer’.

Not that I’m after a job in middle management. Just curious.

Sun Tzu was clearly a very wise man who’d given much thought to the nature of conflict/competition and how best to succeed. Sun Tzu says… well he says a lot and most of it in slighty Yoda-esque backwards speak, but in a nutshell…

  • Plan like buggery. Come up with a watertight strategy… and a couple of other watertight strategies in case the first develops holes.
  • Research. Know your market, know your enemy, know yourself.
  • Make the most of your resources, by focusing your strengths against opponents weaknesses.
  • The best way to win a war is without fighting. Outsmarting your opponent is painless.
  • Only fight battles you can win. When you’re dead, you’re dead.

Makes sense. So there you go, 2500 years worth of tried and testest strategic wisdom reduced to five bullet points. Now you too are ready to be a business samurai. Show me the money. Lunch is for whimps. Etc, etc.

KillYourFriends

Just finished reading John Niven’s Kill Your Friends. A rude, crude and pretty bloody accurate satire of the British music industry. Genius. Headswim, Campag Velocet, Kings Of Infinate Space, Dust Junkies, Foil, My Life Story, Luna, Arnold, Snug… remember any of these life changing acts who feature as the background of this tale of dysfuctional Brit-pop debauchery? No, you wouldn’t. I do. And they were all rubbish, which is pretty much John Niven’s point. A&R men don’t know what they’re talking about, and he should know, he was the A&R man who signed Mogwai – thinking they were the next Pink Floyd – and passed on Coldplay because he thought they were a second rate Radiohead; well, maybe he wasn’t wrong about everything.

SaveMeObiWanMinesAVodka&Coke

On the subject of Star Wars, Carrie Fisher’s autobiography wins the 2008 prize for best title and cover. The only thing funnier is that it’s just 176 pages long and the type is MASSIVE. Presumably she couldn’t remember the rest.

WhatIsTheDefinitionOfCool?

Ah, the eternal question: What is cool?

Always followed by: And why have some people/places/things got it while others haven’t?

Are cool and style the same thing?

Are all stylish things cool?

Does something have to be fashionable to be cool? Or is cool about doing your own thing?

Is cool the same as the other indefinable quality we call x-factor? Or can you have that special star something and still be naff?

Is cool passion, authenticity, confidence, lack of effort or all of the above?

How do you know when you’ve got it? How do you know when it’s gone?

Is it something you’re born with?

Can you acquire it?

Can you buy it?

Can you sell it?

Is it something you can learn to be or does trying result in instant disqualification?

What’s your definition of cool?

Would it be the same as mine?

If it really is indefinable, then how come we all seem to know that those pictured above – Barack Obama, Steve McQueen, Apple’s iPhone, New York, Philippe Stark’s Juicer, Keith Richards, Miles Davis, James Dean, Adidas Shell Toes – all have it. Or maybe you don’t agree that they do.

How important is it anyway?

All my life I’ve been fascinated by the concept of ‘cool’, something you can’t see or touch yet we all instantly recognise, and react favourably to. Cool people/places/things are always popular, always respected, usually successful, invariably admired. Why? What have they got? What do they know? Can they themselves define it?

That’s what I’m intending to find out with The Definition Of Cool, my own personal journey in search of that magic formula. But first I need your help. I need to know your definition of cool. Who are the people, places and things that you think have it? And how would you put it into words? Don’t be too clever. I’m trying to get together a solid cast of characters I can go and interview – or in the case of products, places and dead people, those who know/knew them well. So don’t be afraid to be too obvious – obscure may be cool, but for our purposes it won’t get us very far. Pick people, places and things which are widely known and recognised, and tell me why you think they’re cool, along with your own definition, in the comments. Once I’ve got a sufficiently cool long list, I’ll be running a series of polls here on the blog to narrow it down to a short list of interviews for the book so don’t forget to sign-up to the mailing list here or subscribe to the RSS feed here, so you won’t miss your chance to vote.



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