It is what it is and it is OMG amazing. The work of designer Christian Annyas, Movie Title Stills Collection is a MASSIVE collection of title stills from 1920-now. And it is amazing. There’s also a section dedicated to the work of Saul Bass, which is worth a visit on its own.
Tell me you follow Terry Richardson’s tumbler/photo blog. What?! What’s wrong with you?! Go here now.
I love the photography of Carlos Nunez. He’s got that whole ’70s rock’n'roll sex thing going on. See more at his website www.carlosnunezphotography.com and blog ohsnapscarlos.blogspot.com NSFW but not in a straight-up porny way.
I am a big user of Moleskine note books. I have way too many of them. I will no doubt have way too many more. The pictures above are from an imaginary ad campaign that Amy Nortman, a student of the University of North Texas, won a competition with. What competition? I have no idea. But they are genius and ably explain the love of the Moleskine, so I hope it was a competition with a big fat cheque at the end of it.
See these and the rest of the series in their full glory on the Moleskine Flickr. To find your own deep love and spend more money than is reasonable on notebooks, see the Moleskine site.
In what is bound to be a fast track to being even less productive than I normally am, I’ve opened a dailybooth.com account. If you’re there already follow me and I’ll follow you and we can be like friends and such.
There is a better life. And it looks a little something like this. A thought to conjure with on a cold, snowy/icy/slushy night in London in January. For more of the same, see my new favourite oversized coffee table book Poolside With Slim Aarons. Genius.
Objectified, the new documentary feature from Gary Hustwit of Helvetica fame, which gets its world premier in March at this year’s SxSW, will include a rare interview with Apple design guru, Englishman Jony Ive (I know, a bit jingoistic, but we have so little to shout about these days). Rarer still, the interview, from whence the above picture came, was filmed inside Apple’s Design Studio. Might not sound like much, but it’s on a par with pulling back the curtain and catching a glimpse of Oz.
Not since Bobby Kennedy ran for the democratic nomination in ’68 has the idea of a particular individual being elected President stirred so many – particularly in the jaded world of creative media – into action. From the primaries to the inauguration, graphic design and photography have been at the centre of capturing, distilling and expressing the Obama feeling. The posters, the photographs and the graffiti, as much as all the viral videos and Twitter feeds, were key to making him larger than life, aspirational and look like a president in waiting even before he’d won the nomination. Where photographs of John McCain made him look folksy, those of Obama made him seem almost god like. The notion of Obama – not just the colour of his skin but his young, dynamic approach – spoke of revolution while the other candidate looked like more of the same. Those looking for a claim on history sensed the opportunity to take their Kennedy pictures, write their Kennedy stories, to design button badges and posters which just like Kennedy’s would tell future generations that it was the most exciting of times. Obama inspired the best and the most talented and they literally made him history.
See for yourself here, here and here.
In an effort to make things look cheerier (and prove that I really am a journalist) I’ve added page scans to all the articles in the journalism section. You’re welcome.
